t's foggy and overcast as I begin my journey. The air is uniformly gray, and the sky is a great expanse of blankness. Is it nine or noon? I don't know.
I want to travel west, but I'm not sure which
way to go. Occasionally, great flocks of birds fly overhead, and I
realize that they are migrating south. Nature usually provides some
sort of compass. Walking along the shore, the sky begins to clear,
and seems to mirror the blue of the sea. If the shore is a liminal
space, between land (earth) and sea (water), is not the whole surface
of the earth liminal as well, between land and
sky?1
The weather is not yet so cold that I must keep my
shoes on, so I take them off and enjoy the fine sand between my toes,
as I walk the path approaching the Grail Castle. I pay respects to
the two guardian trees, sympathizing with the difficulties of trying
to grow "out of place." The sandy soil and salty water can't be the
best for them.
Approaching the castle, I think of a lighthouse.
Of course, a lighthouse's purpose is to warn ships *away,* but man
has morphed the symbol into a guiding light in the dark.
Lighthouse--house of light. While the light and open doorway are
inviting, why is there only one window? And not a window for air,
light or a view, but an arrow slot for defense. Odd.
The ground floor is a storage room for fishing
nets, crab traps, poles and oars. I climb to the upper floor and
discover a simple living chamber with a cot, table, etc. What really
stands out is a shining shield hanging on the wall, with a red cross
upon it. The silver reflects a lantern and magnifies the flame enough
to lighten the whole interior of the castle.
It seems the inhabitant must be out fishing or some
such, and I go outside to survey the landscape and look for him/her.
Further down the shore, I come across something like a sand castle--a
replica of the Grail Castle. There is only a feeble light within, and
I wonder if this is someone's private sacred space.
It feels sacred, but not private--or at least not
restricted from seekers--and I enter. My eyes adjust to the gloom and
thankfully there is a small lantern hanging from the ceiling. It is
simply a candle set in the center of two crossed pieces of driftwood.
Set into the ceiling are seashells in the form of a sun. Directly
below is a hole in the ground, and as I walk to the edge, I see five
steps leading down to a small landing and water filling the hole to
the level of this landing, upon which a bucket sits.
I go down and sit on the steps, gazing at the
surface of the water, and some questions come to mind (put there by
the book, of course).
I want to wash away the uncertainties. Taking a
bucketful of water from the well, I toss it at the wall. It reminds
me of washing the windows at home, as the water washes the darkness
down like dirt. This reveals . . . a white wall, the blank
rune!!!
Slowly, writing appears on the wall: "Faith is the
assured expectation of things hoped for, the evident demonstration of
realities though not beheld."
Hmm, without faith, it wouldn't *be* a spiritual
path; it would be a material or scientific or some other path. If we
had evidence, all the answers, what would be left to seek?
Emerging back into the daylight, I take a deep
breath of fresh sea air. Then I go back to the castle and climb up to
the roof. The brisk and nippy air makes me nostalgic for Halloween,
Thanksgiving and Christmas at home--times of abundance and giving.
The flying rats laugh at me, but I don't
care.2
1) "Liminal" spaces are sacred by nature of their being "between." {back}
2) You can always tell a true Floridian by how much they hate seagulls.
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